Tuesday, March 15, 2011

Bartimaeus!

Okay, first of all, isn't that just a really cool name? I remember when I was a kid, we used to have these quiet writing sessions in 3rd grade. I would spend a portion of my time writing fantasy stories (that usually made little sense) and the other half making up names for the characters in these stories. For some reason, I just really really liked a name that could roll off my tongue. But that's besides the point. Basically, I picked this book up, once again, based on the cover art.

Oh silly me, I've forgotten to say the title. It's called The Amulet of Samarkand and is part of the Bartimaeus trilogy. The plot revolves around this boy called named Nathaniel and the spirit he summoned, known as Bartimaeus. The books are all set in London, though in different time periods. Now, as I have mentioned before, historical fiction and fantasy are both favorite genres of mine, so you can imagine how much I loved this book when the author decided to combine them both. Basically, there is a world of magicians that call on spirits from their own world in order to do the magician's bidding. Nathaniel is young and inexperienced and he summons a old and powerful djinni, Bartimaeus, to take revenge on a person who wronged him in the past. The plot is very complicated and has several twists near the end, so it would take a while for me to explain. However, the main problem that arises in this book is that Bartimaeus figures out his master's birth name--a fatal mistake throughout the entire world of magicians. Nathaniel has to figure out a way to solve this problem of he's totally screwed.

The book starts out with a scene about halfway through the intended story and then works its way backwards to tell the full story. I'm sure you've read books like that before. Sometimes, it works out nicely and sometimes it leaves you utterly confused as to what's happening. In the case of The Amulet of Samarkand, it would be the former. It flows well and the breaks made to change to the past all make perfect sense.

Another interesting aspect about how the author, Johnathon Stroud writes is the way he switches from point of view nearly every chapter. Again, this style works for some books but not for others. However, I think it really added a nice effect for these books because climactic scenes from multiple perspectives added a lot of interesting angles that you would not have noticed otherwise. When the book is told from Nathaniel's perspective, the author switches to third-person narration but changes to first-person when it's from Bartimaeus. Also, when it's told from Bartimaeus's perspective, he always adds interesting little footnotes with either personal quips or remarks or bits of historical information added with a slight fantastical twist. Trust me, you'll understand what I mean if you read it.

Anyway, long story short: good book, definite recommendation if you have interest in fantasy novels and historical fiction. There are a few parts that are a bit of a drag to read, but there's no shortage of action scenes if that's what your looking for.